
The novel focuses on Nora, a 30-something mother to primary-school-age Grace (at the time of publication Garner was 35 and her daughter, Alice Garner, 8) and her volatile relationship with Javo, a heroin addict. The storytelling is purely linear, tracing a period of just over a year, often taking note of the seasons and effects of the weather; however, it jumps, or flits, from scene to scene. Often the location or content of a conversation is seemingly insignificant, yet it is part of a bigger composition: the very deliberate rendering of a lifestyle and a community intrinsically attached to its part of the city and the earth. Garner has said that a lot of the content grew directly from her diaries from the time (and it is often noted, and grieved, by those who have interviewed her about her latest novel, The Spare Room, that she later burnt many of her diaries). It absolutely has that feel of snippets of information scribbled down about what felt important at the time, often under the influence of drugs, alcohol, friendship or emotion.
It is warming to read something so local, something so reverent about a small patch of a much bigger town. Further, it is prudent to bear in mind that this novel is thirty years old, written by a woman, and makes no effort to pretty-up its origins, nor the free-spirited lifestyle of its characters. From a contemporary perspective, it is also fascinating to go back to the beginning of the career of someone who has altered the shape of Australian literature.
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