Showing posts with label melbourne writer. Show all posts
Showing posts with label melbourne writer. Show all posts

29 July, 2008

'Monkey Grip' - Helen Garner

Rathdowne St, Studley Park, St Georges Rd, Queen Vic Markets. Helen Garner's novel turns Carlton and its surrounds into a significant character, one within a melange of personalities, all of whom drift, meet, collide and separate in her chaotic, rambling novel of 1977. The chaos does not apply to Garner's language, which even in this, her first novel, already shows the level of control that allowed her to almost invent a genre with Joe Cinque's Consolation close to 20 years later. Instead it invades the lives of her characters. Drugs, alcohol, sex and relationships are their preoccupations. Children are regarded in the same manner as adults and the grown-ups act with the recklessness of kids. Much of the novel deals with notions of love: of how much is enough to hold together a disastrous relationship; of how hard it is to let go of something that was once wonderful.

The novel focuses on Nora, a 30-something mother to primary-school-age Grace (at the time of publication Garner was 35 and her daughter, Alice Garner, 8) and her volatile relationship with Javo, a heroin addict. The storytelling is purely linear, tracing a period of just over a year, often taking note of the seasons and effects of the weather; however, it jumps, or flits, from scene to scene. Often the location or content of a conversation is seemingly insignificant, yet it is part of a bigger composition: the very deliberate rendering of a lifestyle and a community intrinsically attached to its part of the city and the earth. Garner has said that a lot of the content grew directly from her diaries from the time (and it is often noted, and grieved, by those who have interviewed her about her latest novel, The Spare Room, that she later burnt many of her diaries). It absolutely has that feel of snippets of information scribbled down about what felt important at the time, often under the influence of drugs, alcohol, friendship or emotion.

It is warming to read something so local, something so reverent about a small patch of a much bigger town. Further, it is prudent to bear in mind that this novel is thirty years old, written by a woman, and makes no effort to pretty-up its origins, nor the free-spirited lifestyle of its characters. From a contemporary perspective, it is also fascinating to go back to the beginning of the career of someone who has altered the shape of Australian literature.

08 January, 2008

'In My Skin' - Kate Holden

Kate Holden writes a fortnightly column for The Age's A2 weekend supplement, in which her perceptiveness, intelligence and alluring grasp of English are always apparent. Her subject matter is observational, whether of Melbourne culture or affairs of the heart, and regularly provides an uplifting start to a Saturday morning. Personally, she is even more inspiring as a graduate of the writing course I'm currently undertaking, the Diploma of Professional Writing and Editing.


In My Skin, her memoir, is an account of her journey from a reserved, innocent University graduate of literature and anthropology, to a heroin addict of five years, who entered into prostitution to support her habit. There are two critical, inescapable elements to the book: its beauty, and its honesty. Her writing style is extraordinarily eloquent. Smells, colours, emotions and people come alive for the reader as she writes about them. For a very large part of the book the people she is writing about are her fellow sex workers and the men paying them. Her honesty in relating stories from the sex industry, as well as the decisions and actions she took to lead her to drug addiction, is confronting and unrelenting.

Significantly, this is not a memoir of regret, seeking pity. Rather it is an explanation, even a vindication, of one woman's choices and how the industry she chose to be a part of should be regarded. I thought of Frank Bascombe, in The Sportswriter, who pondered often about what a $100 hooker would do for his situation. That is how prostitutes are most commonly represented in literature: as a commodity, an ignominious salve for men; an inexcusable career choice for women. Holden, however, is adamant in casting it as a profession, of which the better members will always conduct themselves honourably. It is a paying job, one she takes as seriously as anything conducted in daylight hours, in suits, in offices. The women who choose this role - and this itself is a key point, that not every prostitute is forced into it, for some it is a conscious, informed decision as to a means to earn the money they need - are not to be pitied nor, even worse, vilified. As with any supply and demand business, prostitution cannot exist without custom, and it is the men who go to brothels to treat women deploringly who are to be looked down upon.

The memoir can be graphic and, if sex work is an area the reader is uncomfortable with, it can become suffocating as Holden describes her role. She mentions that she never felt fear as a sex worker and recounts some of her worst customers. It is a demonstration of the hard inner self that this journey allowed her to find that she is able to describe some of the worst clients as just part of her job.

Especially touching in the memoir is the role of her family: not only in their stoicism in remaining in their daughter's life, but also their strength at the times when they had to cut her loose. Their humour and grace as Holden gradually climbs out of her darker self is heartbreakingly commendable.

This memoir is not only brave, it is insightful, proud and beautiful.

13 December, 2007

'Once While Travelling' - Tony and Maureen Wheeler

This is the history of the publishing giant that is Lonely Planet. Now over 30 years old, the company progressed slowly enough towards its current status that this book is primarily concerned with developments, experiments, trial and error: their global success was not cemented until the last third of their history.

Its strength lies in its multi-level appeal. Nearly anyone who has travelled has used a Lonely Planet guide and it's fascinating to learn both how the company grew and to get to know the people who started it. There is a strong business element to the book: it is both inspiring and informative as for the first 15 years or so this was a very small, personal operation. There are also a lot of travel tales, from the Wheeler's utterly exhaustive trips around the world, with descriptions and anecdotes from every continent. Furthermore, Tony and Maureen Wheeler are extremely endearing people so the biography element of the book is just as engaging as the business and travel aspects.

Having read multiple large-print-run works of literature of late with typos and inconsistencies it was a relief to read something so well edited. This is not entirely surprising, since Tony managed the publishing side of Lonely Planet for many years and is an experienced editor. That's not to say it's flawless - there are some overly colloquial sentences that are hard to interpret on the first read and hence appear as mistakes, and the chronology does jump a little bit. This is inevitable though and does not lessen the reading experience: in business the consequences of one decision may not be felt for several years, so on various occasions an event is initially summarised and then explained more fully at the appropriate stage later in the book.

What is so endearing about this book is its truth. The Wheelers must have been asked thousands of times how Lonely Planet started and grew, and here they have a reference that allows them to say 'If you really want to know, read this!'. Importantly it gives a clear idea of how the business grew (and at times retreated), without miring in too much detail, rather than leapfrogging from success to success. It doesn't skirt around hard times or bad decisions. Having bought my first Lonely Planet in 2003 I was intrigued to learn that it was at this time, with profits in eight figures, that the company went through some of its hardest times.

The account is neither verbose, self-indulgent, nor contrarily self-effacing. The company is a global brand and it would ring falsely if the authors pretended it was anything other than that. While not ignoring the extent of their success, the more detailed chapters focus on the development of the company, during which the Wheeler's knew everyone who worked for them and celebrated every staff member's birthday, a tradition I have no doubt they would carry on if their size allowed.